CryptTeaze Horror News

[31 Days of Horror Reviews] Day Twenty-Eight: Na Hong-jin's 'The Wailing'

[Review] 'Industrial Accident: The Story of Wax Trax! Records' is a Love Letter to the Underground

[Review] 'Spiral' is a Compelling, Building Psychological Horror Through Queer Lenses

[31 Days of Horror Reviews] Day Twenty-Seven: Albert Pintó's '32 Malasaña Street

[31 Days of Horror Reviews] Day Twenty-Six: Anthony DiBlasi's 'Extremity'

[Review] Bea Brat Ascends to the Throne of 'Heavy Metal Princess,' And Her Path is Soaked in Blood

[Review] WWE Hell in a Cell 2020 Had Incredible Storytelling, Suffered from Odd Stacking

[31 Days of Horror Reviews] Day Twenty-Five: Lewis Jackson's 'Christmas Evil'

[31 Days of Horror Reviews] Day Twenty-Four: 'The Corpse of Anna Fritz'

[31 Days of Horror Reviews] Day Twenty-Three: Robert Lieberman's 'Fire in the Sky'

[31 Days of Horror Reviews] Day Twenty-Two: John Erick Dowdle's 'As Above, So Below'

[Review] BJ Colangelo's 'Labrys' Is Feminist, Queer, and Dangerous - And We Need That